Netflix and Still: A Poignant Q&A with SUSPEND Magazine Founder Diane Abapo

what is your craft? Fueling my publication, SUSPEND Magazine. Keeps me present in every moment, mindful of who I meet and my surroundings, teaches me to forever and always remain a student. There is never an end to education and learning new things.

what are you most afraid of? Waking up feeling empty and without my family. Not being creatively fulfilled. Never having children to share my stories and experiences with.

where do you get your drive from? From already existing printed matter (publications, newspapers, etc.) where I read interviews and view editorials that have been conceived, where a team of people have created and pushed something never-before-seen into the art world. It drives me to do the same.

what does mindfulness mean to you? Attaining a sense of humility for individuals that we come across in any walks of life. We must never be ignorant; we must always be open and courteous to anyone we encounter. It’s healthy and good for the soul to take care of each other, even if it’s just in passing. Smile. 

what role does stillness play in your life and art? It activates a sense of accountability in what I do, and what I want to create with my magazine and my photography. In an age where it’s easy to let technology and the internet feed us (endlessly) with mind-numbing content, in an infinite stream (and scroll), stillness allows me to face my mind. What is it that I want to create and push out into the universe today, tomorrow, next year, in ten years? Stillness allows me to better myself without any added distraction.

Stillness allows me to face my mind.

name up to three emerging visual artists, designers, musicians that inspire you right now. Photographer Emman Montalvan, Sophia Macks of Beyond The Mag, and Stephen Malbon of Frank 151.

what is a book have you read / talk have you heard / video have you seen that has impacted your outlook on your life and art in the past year? Netflix’s documentary series “Chef’s Table” is stunning not only on a cinematic level but rich in content, and in documenting an array of chefs with such different backgrounds. Francis Mallman’s technique of cooking over open fires and enriching his life with travel is something to be admired. He also has mastered the art of being alone and being secluded. He lives without fear.

what is a mantra or affirmation you are working on this year? Do less better.

I make sure to call my family everyday. Hearing their voice reminds me that regardless of what we accomplish in this life, having their support overrides everything.

how do you stay woke (awake/aware) on a daily basis? I sleep between six to seven hours per night and wake up to a cuppa with PG Tips tea (courtesy of my Art Editor, Sally Baxter, who used to always make us each a cuppa when we were working at a picture agency together in Venice, Calif.). I start each morning looking at two notebooks that I carry with me everywhere: my weekly Moleskine planner and another Moleskine notebook that I write all my notes, thoughts, plans for the magazine. Starting every morning with that decision to “plan” or see what I have for the day/week really keeps me on schedule and awake – I also make sure to call my family everyday. Hearing their voice reminds me that regardless of what we accomplish in this life, having their support overrides everything.   


Necessities: An Audiovisual Message from iamamiwhoami and To whom it may concern

what is necessary, and what purpose do the items we use in our every day life serve? is it our right to consume endlessly, and do we need to?
we think that creating and releasing our music, films and wear comes with a responsibility to care for the environment throughout the process. to give back to what we were brought up to take for granted.
— To whom it may concern; the label behind Swedish electronic act iamamiwhoami

portrait of our TWIMC creators for "To whom it may concern; necessities". our unisex line of organic fairwear clothing. www.twimc.cc what is necessary, and what purpose do the items we use in our every day life serve? is it our right to consume endlessly, and do we need to?

“necessities” is a unisex line of organic clothing essentials with the purpose to encourage a sustainable mindset and where the item is meant to fit the person and its identity and not an ideal. it is what it is.

directed by WAVE
music by BARBELLE

Erykah Badu on Love, Fear, and Staying in the Moment

#AskBadu gave us all a gift this week.

Staying in the here gives me peace...everything else is something we make up in our minds. I stay out my mind.
I practice walking meditation...honing my breath at any moment.
Love is acceptance. Fear is denial...and I don’t think the two can occupy the same space at the same time. You’re either accepting, or denying.
If we ask the creator to be great, then it’s not gonna be that easy. We have to go through the fire just like any other diamond.
Someday we’ll all be free.

If a Building Were a Person: In Residence with Architect Kulapat Yantrasast

It has to have a complex character, it has to be a attractive, it has to also have a sense of humor...

The world-renowned Thai architect's Venice Beach tribute to concrete and animal kitsch.

That’s the kind of work that I like - architecture, design, art - it all integrates into a meaningful kind of life.
— Kulapat Yantrasast

via NOWNESS - http://bit.ly/1Wfeiwf

Kulapat Yantrasast (born in Bangkok) is the founding partner and creative director of wHY, an interdisciplinary design studio with workshops of buildings, grounds, objects and ideas.

The Gap Between Good Taste and Good Work: The Insight of Ira Glass

I think it was in the time of spring 2012, when I came across David Shiyang Liu's lovely piece of work about Ira Glass. It was the most inspiring and motivating video I had ever seen in my life. I watched it over and over again, listened to Ira Glass' voice, and told myself, that I am not the only person who is constantly disappointed about the gap between one's taste and one's skills. Later in 2012, I decided to do my own filmed version of Ira's interview - using my own language to tell his message. It took me about a year from concept to upload. I made it for myself and for anybody who is in doubt about his/her creative career. I also think that Ira Glass' message isn't only limited to the creative industry. It can be applied to everyone who starts out in a new environment and is willing to improve. THANK YOU Ira Glass, whom I've never met in real life, but who had such a big influence on my development. Thank you for telling beginners what nobody else does. David Shiyang Liu for the video that inspired me to start the project. You all should watch his awesome kineticTypo-version here: http://vimeo.com/24715531 The people from current.tv who originally recorded the interview with Ira Glass. See the relevant part here: http://www.youtube.com/watch?v=BI23U7U2aUY The people from Magic Lantern who gave DSLR videography a new dimension (I chose this project to be a test run with the RAW plugin)! Steven Sasseville for painting the "taste" painting for me. Pedro Sousa for his advice and working his ass off at the "creative work" chalkboard. Wolfgang Kraus for letting me borrow his sound equipment. Kai Löhnert for working out on his birthday in the "fight" take. Wolfgang Hendrik Schnabel for giving me the museum-like atmosphere and his silhouette in the painting takes. Hermiyas Ötztürk for his hairy "good enough" hand. Orange Hive Studio for light equipment and location. Mima and Heinz Sax-Schmitz for the location of the "ambitions" take and finding me the "finish 1 story" typewriter. Joyce Chen (https://vimeo.com/clownmori), Soufiane Mabrouki (http://vimeo.com/user21466567), Damien Tsenkoff (https://www.behance.net/damtsnkff), Nikita Samutin (www.baselinedesign.ru) and Andrej Mikula (http://amara.org/en/profiles/profile/65015/) for taking the time and patience to create Chinese, Arabic, French, Russian and Slovak subtitles and dissolving language barriers to make even more people understand Ira's words. A SPECIAL THANK YOU Solveig Gold for being the most patient and supporting person in my life. She appears in a lot of scenes in this video. Jutta and Uwe Sax for several pieces of equipment and their support.

Visual by Daniel Sax

Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.
— Ira Glass

Creating Therapy through Art and Music: The Work of Chaz Bundick

Creating art and music - that’s my version of going for a run. It’s kind of meditative...

Chaz Bundick and his creative partner Brendan Nakahara design a t-shirt for Yours Truly and talk about their design process at Yes Press studios in Berkeley. Win the t-shirt featured in this video, and check out Chaz's immersive, week-long feature, on the newly re-launched Yours Truly http://yourstru.ly/stories/toroymoi Whether it’s design or visual art or music, Chaz Bundick wants to make things that are approachable, then relatable, then, maybe, useful, or at the very least not so complicated that it becomes intimidating. To him, design is a puzzle – there’s what it looks like, and there’s why it looks like that. He compares his feeling when he’s making art to the feeling he has when working through a puzzle. “It makes me feel present, if anything. It makes me feel like I’m actually doing something, getting something done,” he says. “To turn your brain off for a second and take a break from craziness – ‘Got to feed the dog.’ ‘Got to get gas.’ ‘Got to get food.’”

It’s important to just remind yourself that when you’re creating you should always make what you want to experience.
— Chaz Bundick / Toro Y Moi / Les Sins